2014 DREAM CONCERT 3D (2014 드림콘서트 3D) | ||
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Director | 김창우 | |
Cinematographer | KIM JAE WON | |
Stereographer | KIM SANG IL | |
Type | Narrative | |
Country | Afghanistan | |
Company | SBS Plus | |
Category | Feature Film | |
Year of Production | 2014 | |
Summary | ||
The biggest annual live K-Pop show, Dream Concert, celebrated its 20th anniversary at |
3-D SPACE Presentation (3-D SPACE Presentation) | ||
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Director | Eric Kurland | |
Cinematographer | ||
Stereographer | Eric Kurland | |
Type | Documentary | |
Country | United States | |
Company | 3-D SPACE | |
Category | Presentation | |
Year of Production | 2017 | |
Summary | ||
Our goals include: 1. A Museum of permanent collections on display to educate about the history of 3-D art and science. 2. A Gallery of curated exhibits by recent and current 3-D content creators. 3. A Theater to screen 3-D films and other related cinematic works, and to host lectures and presentations. 4. A Library of 3-D books, movies, and other media. 5. A Classroom devoted to teaching the techniques and methods of 3-D image creation through classes and workshops for the public, including special outreach and educational programs for youth and seniors. |
3D Medical Documentary ‘The Fetus’ (3D의학다큐멘터리 태아) | ||
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Director | 표만석 | |
Cinematographer | ||
Stereographer | pyopd@kbs.co.kr | |
Type | Documentary | |
Country | South Korea | |
Company | 한국방송공사 편성센터 3D콘텐츠제작단 | |
Category | Feature Film | |
Year of Production | 2012 | |
Summary | ||
266 days is the time that is needed to create one life, |
51street, Utoro family (51번지, 우토로가족) | ||
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Director | 곽동철 | |
Cinematographer | Byeongryul Jeon | |
Stereographer | Byeongryul Jeon | |
Type | Documentary | |
Country | South Korea | |
Company | (주)더슛미디어 | |
Category | VR Movie | |
Year of Production | 2016 | |
Summary | ||
During the Second World War, the Korean workers who could not go back to their hometown after drafting into the military by force for a military airfield construction in Kyoto, Japan, then they settled here in Utoro. Question subtitles) What were your memories of neighbors when you were in your childhood? Although the settlement was unlicensed, the residents built modest houses between the empty land and the sky, they care for their family, and they cultivates the village little by little. |
9, chemin des Gauchoirs (9, chemin des Gauchoirs) | ||
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Director | Lyonel Charmette | |
Cinematographer | ||
Stereographer | Lyonel Charmette | |
Type | Animation | |
Country | France | |
Company | Vanilla Seed | |
Category | Short Film | |
Year of Production | 2015 | |
Summary | ||
Cable cars converted into houses, how fascinating… The shepherd makes sure that nobody’s there, ties his goat to the quay and gets into a luxurious « bathroom cabin ». Vacillating between this unexpected comfort and the ground, he starts feeling at ease, until he meets the place’s real occupants. |
a Walk in Dreams (몽중산보) | ||
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Director | 박용준 | |
Cinematographer | 박용준 | |
Stereographer | 박용준 | |
Type | 기타 | |
Country | Japan | |
Company | 일본대학 예술학부 | |
Category | 단편영화 | |
Year of Production | 2014 | |
Summary | ||
Park with a near Tokyo, One of the women as waiting for someone, I’m sitting on the bench. |
Aenigma (Aenigma) | ||
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Director | Antonis Ntoussias, Aris Fatouros | |
Cinematographer | ||
Stereographer | Antonis Ntoussias | |
Type | Animation | |
Country | Greece | |
Company | Steficon | |
Category | Short Film | |
Year of Production | 2016 | |
Summary | ||
A Greek stereoscopic CG animation inspired by the works of Greek surrealist painter Theodore Pandaleon. A requiem to Form, Feminine-Goddess, eternal Eve, Art. From idealization and sacred worship to delectation and insemination, to transformation and reproduction, to deterioration and decay, to desecration and vandalizing, to condemnation and subjugation, to the fall into timeless erebus. To the dream of regeneration.. |
AEON (AEON) | ||
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Director | Derek O’Dell | |
Cinematographer | ||
Stereographer | Derek O’Dell | |
Type | Animation | |
Country | United States | |
Company | ||
Category | Short Film | |
Year of Production | 2016 | |
Summary | ||
Ever since I began animating, I slowly became addicted to creating movement that you can literally “feel”. Whenever I get the impact or flow right in a piece, I sense what I’m creating truly has life. My goal with AEON was to deliver the soul of that feeling to the audience. Filmmakers Oskar Fischinger and specifically Michel Gagne’s with his short, Sensology, inspired me to create AEON in the experimental visual-music medium. In addition, I wanted to create an experience that could be felt in more than just one-dimension. Because of this, AEON’s recommended and preferred viewing is in stereoscopic 3D. I’m also excited to finish the VR version, for complete immersion. (Currently in R&D). |
Airground (Airground) | ||
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Director | Sylvia Nicolaides | |
Cinematographer | Vishal Vittal | |
Stereographer | Zdenek Travnicek | |
Type | other | |
Country | Czech Republic | |
Company | ||
Category | Short Film | |
Year of Production | 2014 | |
Summary | ||
‘Airground’ is a 3D video art piece. It is an existential journey portrayed through a group of acrobats simulating a flight that is destined to fall. |
Alpha Centauri (Alpha Centauri) | ||
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Director | 정윤철 | |
Cinematographer | ||
Stereographer | blank | |
Type | other | |
Country | South Korea | |
Company | ||
Category | Short Film | |
Year of Production | 2010 | |
Summary | ||
Some day in the future, there is a man who went to the Alpha-Centauri, which is the closest planet from the earth. He is boarding in a spacecraft and returning to the earth to see his wife and a daughter. The couple is being lost in honeymoon memories, and they are enjoying a good time at beautiful seashore of the earth. However he asked her not to wait for him. Because it will take over 10 years for him to return to the earth from the finish of a space trip. They argue with each other. She says that she will wait for him continuously. As he is seeing her sad eyes, he opens his eyes. The site is inside the spacecraft… |